Images in Time and Place


A permanent exhibition is installed in the principal gallery of the Museum, which displays objects from the Amerind’s collection in some 1,600 square feet of display area. "Images" refers to figurative (human, animal, and even plant motifs) expressions in the material culture of Native Americans. "Time" includes objects from prehistoric, historic, and contemporary contexts, and also suggests that the dynamics of history have a part to play in our understanding of different Native cultures. "Place" encourages us to think about the landscape and the environment of the cultures represented, along with the opportunities and constraints they may offer. The exhibition presents the richness of figurative design in such diverse media as textiles, organic fibers, clay, stone, wood, ivory, metal, beads, and leather. This exhibit takes the viewer from the Arctic down to the southwest on the ethnographic side of the gallery and from the bottom of South America to the American southwest on the archaeological side.

Images in Time and Place

Timeline Hallway


Down the hallway, connecting the two galleries on the first floor, are exhibit cases showing a time-line of prehistoric human occupation in the southwest. Here visitors will see wonderful artifacts from the time of the Paleo-Indians, the Archaic period, and up to the three primary cultural areas of the early farmers: Hohokam, Mogollon, and Ancestral Pueblos (formerly referred to as "Anasazi").

Amerind Archaeology Room


Without Borders: The Deep History of Paquimé (opening December 9, 2017)



Ethnology Room


The main gallery upstairs contains impressive ethnographic items from various areas of North America. Part of the room is dedicated to the Apache culture, and on display are some wonderful baskets, a bow made and signed by Geronimo, a set of Apache rawhide playing cards, plus many other items, along with information and interpretation about the different Apache tribes and groups, Geronimo’s surrender, and the resulting confinement of all the Chiricahua Apaches.

The Navajo (Diné) are closely related to the Apaches, and we have a small case with Diné items, mostly jewelry. We will be bringing more Diné objects into the exhibit area in the future.

The Ethnology Room also contains some wonderful examples of beadwork by various Native people, an exhibit of fetishes, cradle boards, Navajo concho belts, pipes, and various Santos and other religious artifacts, mostly from northern New Mexico.

Fleet of Foot: Indigenous Running and Games from Ancient Times to Today (with advisors Dr. Will Russell (Comanche/Southern Cherokee), Dr. Matthew Sakiestewa Gilbert (Hopi), and Ms. Angelina Saraficio (Tohono O’odham)


Traditions in Clay


An exhibition of Pueblo pottery ranging from late prehistoric ancestral ceramics to modern pieces. Pueblo pottery developed in prehistoric times from simple utility jars to intricately textured and painted wares. The art form was revived with the advent of the railroad and the arrival of tourists in the Southwest in the 1880s. Contemporary Pueblo potters still use centuries-old techniques of construction and are inspired by pottery forms and designs a millennium or more old.


The Mata Ortiz Gallery


This room contains two exhibits: The Potters of Mata Ortiz: Inspired by the Past…Creating Traditions for the Future, and A Pottery Competition!


The first exhibit explores the connection between the pottery of the prehistoric town of Casas Grandes (Paquimé) in Chihuahua, Mexico, and the contemporary pottery tradition, often referred to as a "pottery phenomenon," of the nearby village of Mata Ortiz.


The second exhibit illustrates Amerind’s early involvement with the community of Mata Ortiz. It was 1978 when noted Mata Ortiz supporter, Spencer MacCallum, stopped by the Amerind to ask Charles Di Peso, Amerind’s director, if the Foundation would be willing to support a competition for the potters of Mata Ortiz. Production was booming in Mata Ortiz and Spencer saw the competition as a way to encourage high quality work. Di Peso agreed and Spencer brought several truck-loads of pots, while Di Peso selected the judges and made the arrangements. The judges picked out the winners and Spencer returned with the pots, and with ribbons and prizes to award the winners at a community festival. The exhibit features photographs from the judging and the awards ceremony, along with pots by some of the winners and from other Mata Ortiz potters working around the same time.

The Fulton-Hayden Memorial Art Gallery


The Fulton-Hayden Memorial Art Gallery was built in the mid-1950s to house the Fulton family’s art collection. Amerind’s founders Rose Hayden Fulton and William Shirley Fulton played an important part in collecting the fine art in Amerind’s permanent collection. Today the gallery features exhibits by contemporary indigenous artists and other contemporary artists of the American West, in addition to displaying works from the permanent collection. The current exhibitions are listed below with the most recently opened listed first:

Woven Praxis: Portraits of the Salt River Basket Weavers featuring the paintings of Salt River Pima artist Dwayne Manuel.

Women of the American West curated by FWA and Amerind, Wendy Davis, Aline Goodman, Eric Kaldahl, Alex Lee, and Helen Sanders

The Art of Ed Kabotie (Hopi-Tewa)

Rarámuri and Tohono O’odham: Photographs by Dr. John Schaefer

In the Goodman Gallery  Willard J. Page: Artist on the Southwest Road. Works by Willard Page who was a commercially successful artist who toured the American West in the first half of the 20th century.  Exhibit curated by Carolyn O’Bagy Davis.

In the Fulton Legacy Gallery: A historical exhibit on Ma Fulton’s FF Ranch, ongoing.  More...  
From the permanent collection: The West: Land of Many Stories, a multi-artist show featuring the artists, peoples, and communities of the American West, ongoing.  More...  

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