May 21, 2019 through April 26, 2020
Artist: Maria Arvayo (Yoeme)
Maria Arvayo and Eric Kaldahl, Curators
Capturing Sunlight: Images from the Southwest
Maria Arvayo focuses on depicting the Sonoran landscape and is inspired by the natural world. She captures the quality of light, the warmth and the distinct beauty. She works in a wide variety of media, but the majority is in oil, acrylic, pastel, and encaustic. Artwork for sale.
May 14, 2019 through April 11, 2020
Gerry Quotskuyva and Eric Kaldahl, Curators
The Art of Gerry Quotskuyva
Hopi artist Gerry Quotskuyva’s, (Bear Strap Clan, Second Mesa Village of Shungopavo) remarkable style has been nationally recognized on public television, in newspaper articles, and books, including Art of the Hopi by Jerry and Lois Jacka, Katsina by Zena Pearlstone, and Ancestral Echoes, a 10-year retrospective. This exhibit represents his finest carvings, paintings, and sculptures. Artwork for sale.
June 8, 2019 through September 15, 2019
Eric Kaldahl, Curator
Desert Flowers: The Photography of Dr. John P. Schaefer
Built in 1939, the museum building’s main gallery houses artistic treasures created by Indigenous artists from the Arctic to Mexico. Many of the pieces were made during the late nineteenth and first half of the twentieth century. Visitors will learn about the amazing diversity of Indigenous cultures found throughout North America.
August 28, 2018 through August 16, 2019
Jeffers Choyguha and Eric Kaldahl, Curators
Personal Birth Process: Jeffers Choyguha
Jeffers Choyguha’s paintings are inspired by her pregnancy and her son’s earliest years. The paintings reflect on feelings of pain, anguish, and peace. Some are prayers; some are fears. They all honor woman’s experiences with the birth process.
Wendy Davis, Aline Goodman, Eric Kaldahl, Alex Lee, and Helen Sanders, Curators
Women of the American West
This exhibit, celebrating women in the art of the American West, is a joint venture between the Amerind Foundation and Friends of Western Art (FWA), a nonprofit organization whose members support awareness of and promote Western Art.
Ed Kabotie, Curator
The Art of Ed Kabotie
I am a third generation artist from the Hopi village of Shungopavi and the Tewa village of Khapo-Owinge (Santa Clara Pueblo). My current work reflects not only my Puebloan heritage, but also reactions to the sacred landscapes of Northern Arizona. My creations take the forms of watercolor paintings, ink and marker drawings, and multi-instrumental, trilingual compositions. —Ed Kabotie
Eric Kaldahl, Curator
The Photography of Dr. John P. Schaefer: Tohono O’odham and Rarámuri
Dr. John Schaefer served on the University of Arizona faculty for 21 years, held titles of head of the Department of Chemistry, dean of the College of Liberal Arts, and served as president of the university from 1971-1982. In addition to pursing an active career in teaching and research, Dr. Schaefer enjoys a reputation as a skilled photographer. He is founder of the University of Arizona Center for Creative Photography. The photographs in this exhibit were taken by Dr. Schaefer during his visits to Rarámuri (Tarahumara) communities in Chihuahua and to Tohono O’odham communities in southern Arizona and northern Sonora.
Gabriel Ayala and Eric Kaldahl, Curators
The Water Protectors: The Standing Rock camps through the lens of Gabriel Ayala
Gabriel Ayala is a member of the Pascua Yaqui tribe. A world renowned musician, Mr. Ayala has traveled the world to perform and teach. When he heard about the events taking place near the Standing Rock Sioux Reservation, North Dakota, Mr. Ayala decided to stand with the many Indigenous people who call themselves the Water Protectors. The Water Protectors opposed the construction of a petroleum pipeline called the Dakota Access Pipeline (DAPL). From around the nation, thousands of people gathered at several camps near Lake Oahe. Mr. Ayala lived in the camps for several months at a time. This exhibit of photographs, taken in 2016, continues Mr. Ayala’s efforts to educate others about the Water Protectors’ experience.
Carolyn O'Bagy Davis and Eric Kaldahl, Curators
Willard J. Page: Artist on the Southwest Road
Willard Page was a landscape artist who moved westward to make a career that provided him and his wife Ethel with a comfortable and happy life. With moderate pricing, a great deal of hustle, clever methods, and a regional client base, Willard and Ethel marketed his art to locals and avid tourists eager for an affordable memento of the West’s majestic landscapes.
Eric Kaldahl, Curator
The West: Land of Many Stories
The Amerind Museum has a rich legacy of art. Paintings and sculptures have stories to tell. The museum’s permanent art collection brings together artists from many cultures and places. The west encompasses recent homesteads and ancient farming villages, sheepherders and cattle ranchers, bustling towns and isolated hamlets. Its people speak dozens of languages and are the inheritors of many histories. This exhibit displays Amerind’s permanent collection artists to give you a sense of this many storied land.
Eric Kaldahl, Curator
The Photography of Dr. John P. Schaefer: Rarámuri People of Chihuahua, Mexico
Photographer John Schaefer visited Rarámuri (Tarahumara) communities in Chihuahua in 1978. Dr. Shaefer’s work captured the lives of these Indigenous people and the villages they call home. Some of these same photos were published in Bernard Fontana’s book Tarahumara: Where Night is the Day of the Moon. Schaefer’s intimate photographic portraits are beautiful and irreplaceable historic documents. Dr. John Schaefer is President Emeritus of the University of Arizona. He served on the University of Arizona faculty for 21 years, held titles of head of the Department of Chemistry and dean of the College of Liberal Arts, and served as president of the university from 1971-1982. In addition to his teaching and research career, Dr. Schaefer enjoys a reputation as an acclaimed photographer. He founded the University of Arizona Center for Creative Photography.
Ron Bridgemon, Jr.
Inspired by the Past—Pottery Traditions
Many contemporary potters in the American Southwest and northern Mexico were inspired by ancient pottery making traditions. This exhibit displays pottery from the communities of San Ildefonso, Jemez, Hopi, Pee Posh, and Mata Ortiz. The Mexican village of Mata Ortiz is home to several hundred potters who were inspired by the ancient pottery of Paquimé. Amerind’s unique role in supporting early Mata Ortiz pottery competitions is presented.