Amerind’s Comcáac (Seri) Art Show & Sale

Comcáac (Seri) Art Show & Sale

Saturday & Sunday, October 26 & 27, 10am – 4pm 

Visit the Amerind and learn about the art and culture of the Comcáac (Seri) people of Sonora, Mexico. Meet the artists behind these unique creations of Comcáac basketry, wood carvings, necklaces, and other beautifully crafted works of art for sale.

The Seri people of the desert and the sea are known for their beautiful arts and crafts, which include a long history of basket weaving and more recently wood carving and other crafts.

This event is included with Museum admission.

Amerind Supports Indigenous Composers at the Tucson Symphony Orchestra

Picture caption: Raven Chacon, Laura Ortman, Kite, Michael Begay

Amerind supports Indigenous Composers at the Tucson Symphony Orchestra

Friday, September 20, 7 pm

Linda Ronstadt Music Hall

Tickets are free

Amerind’s community is proud to join our friends at the Tucson Symphony Orchestra (TSO) in supporting new compositions by four Native American Composers: Pulitzer Prize winner Raven Chacon (Diné), Laura Ortman (White Mountain Apache), Kite (Oglala Lakota), and Michael Begay (Diné). Along with many other TSO supporters, Amerind is pleased to help sponsor this special musical event. Tickets are free and can be acquired at the TSO’s website https://www.tucsonsymphony.org/event/colaboratory-2024/.

Tucson Symphony Orchestra is proud to partner with the American Composers Orchestra to present EarShot CoLABoratory, a program designed to develop the work of composers from musical traditions that are underrepresented in the orchestra world. CoLABoratory Residencies provide artists with generative space with orchestral forces to develop ideas that are too big and beautiful for a traditional reading or commissioning model.

On September 20, TSO will read drafts of new compositions by four Native composers including Pulitzer Prize winner Raven Chacon (Diné), Laura Ortman (White Mountain Apache), Kite (Oglala Lakota), and Michael Begay (Diné). During this workshop session, the audience will get to observe the collaborative process between the composers and the orchestra. Composers will work with Maestro Gomez and the musicians of the orchestra to develop concepts and refine their work.

Amerind Free Online Talk: “Rio Abajo Cultural Traditions during the Late Prehistoric-Early Colonial Periods: A View from Goat Spring Pueblo (LA285), New Mexico” with Suzanne Eckert, PhD

Amerind Free Online Talk

“Rio Abajo Cultural Traditions during the Late Prehistoric-Early Colonial Periods: A View from Goat Spring Pueblo (LA285), New Mexico” with Suzanne Eckert, PhD

Saturday, October 26, 2024, 11:00 am – Arizona time

“Rio Abajo Cultural Traditions during the Late Prehistoric-Early Colonial Periods: A View from Goat Spring Pueblo (LA285), New Mexico”

Located at a little over 6,000 feet in elevation along the eastern edge the Cibola National Forest, Goat Spring Pueblo overlooks the Plano San Lorenzo of the Rio Abajo floodplain. It has been suggested that Rio Abajo villages played a major role in late Ancestral Pueblo Period (A.D. 1300-1680) social dynamics. For example, a major trail between the Western Pueblo and Rio Grande regions passed near Goat Spring Pueblo before ending near modern day Socorro. Given this known trail, the Rio Abajo may have been a gateway for the movement of people, cosmological ideas and ritual practices, as well as goods between the Rio Grande and Western Pueblo regions. This lecture considers recent excavations at Goat Spring Pueblo that have contributed to a much better understanding of cultural change and continuity in this region during this time.

Suzanne L. Eckert is the Head of Collections at the Arizona State Museum.  She earned her doctorate in 2003 from the Department of Anthropology, Arizona State University.  Dr. Eckert’s research focuses on how late Ancestral Pueblo cultures organized ceramic technology. She is especially interested in how this technology integrated with other aspects of society, including migration, political and social organization, religious practice and ideology, and gender and ethnic relations.

Register here: https://bit.ly/Amerindonline10262024Eckert

Amerind Autumn Fest

Amerind’s Annual Autumn Fest

Saturday, October 19, 2024

10 am – 4 pm

$10 per vehicle

Join Amerind at our Annual Autumn Fest as we celebrate the history, culture, and arts of the Apache Community.

Rich in tradition, history, and culture, Apache teachers, artists, and singers will hold a day-long cultural celebration at the Amerind Museum in Dragoon, Arizona.

Autumn Fest will feature live performances by musician Matthew Andrae (Jicarilla Apache) accomplished guitarist and singer-songwriter.

Public talks about Apache history from scholars:

Jeff Haozous (Fort Sill Apache) will present the following talks:
“Geronimo’s Road — the removal and ruination of the Chiricahua Apache Tribe”
11:45-12:45 Lecture in the Art Gallery
“Cochise’s Trees — the restoration and return of Chiricahua Apache people”
1:00-2:00 Lecture in the Art Gallery

Marcus C. Macktima,PhD (San Carlos Apache) will present the following talks:

“Civilizing” the Peoples: San Carlos Apache History, 1872-1900″ 

10:30-11:30 Lecture in Art Gallery

Prior to the colloquially named, “Apache Wars,” in the late nineteenth century, the Apachean peoples in Arizona Territory underwent a series of changes to their culture and hierarchies. The placement of Apachean peoples on reservations in the White Mountains and at the San Carlos Agency after the Camp Grant Massacre in 1871, fostered an environment where the federal government replaced the societal structures of the peoples and transformed the people into one that grew reliant on the government for all of their basic needs. Removals of Indigenous peoples throughout Arizona to the San Carlos Reservation altered the local community into a conglomerated peoples that proved problematic for all those involved. Moreover, the discovery of precious natural resources motivated Arizona officials to petition government entities to force a relinquishment of reservation territory for the benefit of the territory. The inclusion of all removed peoples on the reservation in determining such a change to reservation territory proved that the perception of identity was rooted in “reservation” politics, and also provided a means for government agents to accomplish its goals in developing a civilized American West. These changes and experiences primed the reservation for a moment in the 20th century that solidified the modern understanding of the San Carlos Reservation.

“Modernity as a Justification: The Coolidge Dam and Indian Reorganization, 1900-1930s”

2:15-3:15 Lecture in Art Gallery

As Arizona Territory moved into the 20th century, so did the Apachean peoples. The changes brought to the reservation in the 19th century, culminated in further diminishment of the Apachean identity. Furthermore, perceptions of the “San Carlos Indian” stemming from the previously fought “Apache Wars” made the peoples “expendable” in the eyes of the new settler government as water rights and issues for both settlers and the O’odham peoples in Central Arizona came to the forefront. The creation of the Coolidge Dam on the reservation, justified by Carl T. Hayden as a necessity to assist the O’odham people, hindered the ranching and farming capabilities of the San Carlos “Indians.” By the 1930s, the peoples underwent a significant change as they incorporated the Indian Reorganization Act into their new tribal government. Debates on its implications and implementations caused a political upheaval, and upon the establishment of the San Carlos Constitution, the peoples officially recognized all peoples on the reservation, including those removed to the reservation, as “Apache.”

We will have artist booths from various Indigenous artists who will be showing and selling their work, including: Oliver Enjady, paintings, Ishkoten Dougi, paintings/prints, Aaron Freeland, paintings/prints, Jicarilla Apache baskets by Rowena Mora, Jacinda & Adrian Atencio, Beadwork, pottery by Shelden Nunez-Velarde, Jewelry by Matagi Sorensen, Talrick Enjady, paintings/drawings,  Jordan Torres, paintings/prints/metalwork, Leonard Boyd, paintings/sculpture, Randy “Sabba” Sabaque, prints, Roger Sosakete Perkins, paintings/pottery/digital art, Eric & Charlotta Greenstone, jewelry/horsehair pottery, Veronica & Ernest Benally, jewelry, Maria Arvayo, paintings,  Gerry Quotskuyva, paintings/carvings,and last years people choice winners, Priscilla Tacheney, photography, John Suazo, sculpture, Arnold & Karlene Goodluck, jewelry and others!

  • Artist demonstrations in Apache basket weaving by Rowena Mora.
  • Amerind Artist in Residence Akilah Martinez will be showing her latest digital art.
  • Join us for a special free basket-making activity designed for kids. This event offers a unique opportunity for young participants to learn about Apache culture and engage in the timeless art of basketry. Come and discover the beauty and significance of Apache baskets through a hands-on activity.
  • Enjoy two new museum exhibits during Autumn Fest; Museum entry is included with vehicle entry.
  • non-profit booth  Nde’ Bike’eya’ Chiricahua Apache Land Trust

Food: by Shirley’s Native Food and La Unica Mexican Food.

Autumn Fest is Saturday, October 19, from 10:00 am until 4:00 pm at the Amerind Museum in Dragoon, AZ. $10 per vehicle.

Please be aware the Amerind Hiking Trails will be closed on October 19th during Autumn Fest. Thank you for your understanding.

Please note if you are interested in coming with a group on a chartered bus from Tohono Chul, visit: https://tohonochul.org/event/amerind-autumn-fest/ for more details.

Fulton Family Heritage Luncheons

Let’s Get Together

You’re invited to the Fulton Family Heritage Lunches

 

Have you ever wondered more about Amerind’s founding family? Or, want to peek at the historic home behind the museum and art galleries? Now is your opportunity.

You are invited to an insider members-only lunch and tour of the historic Fulton Seminar House, where heritage meets elegance. Each month throughout the summer, members can experience Amerind in an exclusive, intimate setting with a full delicious lunch service and behind-the-scenes tour of the Fulton Seminar House.

Your memorable luncheon begins with a warm welcome in the Spanish Colonial courtyard. Enjoy light bites in the Fulton Seminar House living room while learning about the latest events at Amerind with a backdrop of the panoramic views of Texas Canyon.

A private tour by Willie Adams, great-grandson of Amerind founder William Shirley Fulton, provides unique insights into Amerind’s history peppered with a few entertaining family tales!

Lunch will be served in the family dining room, including entrée with sides and a delectable dessert.

Fulton Family Heritage Luncheons are offered on selected Thursdays from  10:30 AM–1 PM:

  • June 13th
  • July 18th
  • August 15th

Don’t miss out on this exclusive opportunity! Reserve your spot today! To purchase your ticket or learn more details, go here. 

Not a Member? Annual Memberships start at $50, consider joining by going to our membership page here for access to this exclusive Amerind experience.

Reservations and payments are required in advance. All participants, including guests, must have an active membership with Amerind. The cost per person is $40. Luncheon participants are limited to 12 individuals. A minimum of 6 persons are needed for each event.  To find out about availability please click on the event link. To find out if your membership is active and up-to date contact our membership services via email at [email protected] or call 520.586.3666.

Introduction to Nature Journaling with Roseann Hanson

Introduction to Nature Journaling at the Texas Canyon Nature Preserve

with Instructor Roseann Hanson

Saturday, April 20, 2024

9:00 am – 3:30 pm

$75 non-members

$70 Members  (please call to register)

Day long workshop Includes:

Lunch

a copy of the workbook, Nature Journaling for a Wild Life-a $35 value, free passes to

Keeping a nature journal can both deepen our connections to the natural world and help us learn more about it. Neither science education nor art training is needed—we will develop the skills of a naturalist and a field sketch-artist along the way.
This workshop will introduce the tools and processes of keeping a nature journal with instructor Roseann Hanson, author of Nature Journaling for a Wild Life, Master of Field Arts, and the Southern Arizona Nature Almanac.
We will learn how to practice “intentional curiosity” as the core of nature journaling: to ask questions, to dig deeper into science, to focus our minds both intently and intentionally. The workshop will include:
• The nuts-and-bolts of journal-keeping (paper and ink types, archival systems, how to make entries that you can refer to later, laying out pages, prompts to jump-start observations, and tips on researching science questions sparked by your observations).
• Easy tips that enable anyone to get started sketching and painting. Roseann will help free you from your inner critic and start sketching and painting. Art in a nature journal is not only lovely to see, but an important component of your skillset because the very act of drawing and painting something from life involves incredibly intense observation. Your brain is wholly occupied by only that thing you are observing and drawing—it is a kind of meditation that results in new insights, deeper understanding, and discoveries.
• A short classroom session and, weather permitting, we will spend most of the time exploring the grounds and trails around Amerind and practicing our journaling skills. (Please wear suitable footwear and outdoor clothing.)
• A copy of the workbook, Nature Journaling for a Wild Life, which includes blank journal pages — a  $35 value. All you need is a pen or pencil and your curiosity about nature.
About the instructor: Roseann Hanson is a naturalist, artist, and explorer who has been keeping science-based nature and field notes journals for 40 years. She is one of the organizers of the Wild Wonder Nature Journaling Conference, and is the author of the popular books Nature Journaling for a Wild Life, and Master of Field Arts. She studied journalism and ecology and evolutionary biology at the University of Arizona, and has worked in the American Southwest, Mexico, and East Africa as a conservationist, naturalist, and writer. She has authored a dozen natural history and outdoor books, including the Southern Arizona Nature Almanac with her husband Jonathan Hanson, and San Pedro River: A Discovery Guide, both of which include her nature journal data and art. She was the coordinator for the trans-disciplinary Art & Science Program at the 115-year-old Desert Laboratory on Tumamoc Hill, part of the University of Arizona College of Science. She teaches nature writing, nature journaling, and field notes for biologists. She was named a Fellow of both the Explorers Club in the U.S. and the Royal Geographical Society for her conservation and expedition work. You can find her on social media at https://www.facebook.com/roseannhansonexplore  or https://www.instagram.com/roseannhanson  and on the Hansons’ website: http://www.exploringoverland.com/fieldarts
Space is limited register early!
Members please call Maggie Ohnesorgen at 520-686-1336 or [email protected] to register/reserve your spot.
non-members may also call or register at Eventbrite: https://bit.ly/amerindnaturejournaling04202024

Amerind Free Online Talk: Capturing Water in Chaco Canyon and the Legacy of R. Gwinn Vivian, with Samantha Fladd, PhD

Amerind Free Online Lecture

Capturing Water in Chaco Canyon and the Legacy of R. Gwinn Vivian

with Samantha Fladd, PhD

Saturday, April 6, 2024, 11:00 am – Arizona Time

 

Capturing Water in Chaco Canyon and the Legacy of R. Gwinn Vivian

While Chaco Canyon is renowned for massive great houses and concentrations of nonlocal materials, the ability of residents to productively farm the arid landscape has remained contentious within archaeology. These debates have ranged from questions over soil quality to the existence and use of water management features. Throughout his career, Dr. R. Gwinn Vivian worked tirelessly to locate and document evidence of water management, particularly canal systems, from within and around the Canyon. In this talk, I will provide an overview of this evidence and discuss the importance of Dr. Vivian’s legacy on the field of Southwest archaeology.

Samantha Fladd is an assistant professor in the Department of Anthropology and Director of the Museum of Anthropology at Washington State University. She received her PhD from the University of Arizona in 2018 and has been doing archaeological research in the Four Corners region of the US Southwest for about 15 years. She is the second author on an upcoming book with Dr. R. Gwinn Vivian on Capturing Water (University of Utah Press), which presents his lifetime of research on water management and agricultural potential in and around Chaco Canyon.

To register for this free online event, visit: https://bit.ly/Amerindonline04062024Fladd

Exhibit Celebration and Artist Talk with Maria Arvayo

Exhibit Celebration and Artist Talk with Maria Arvayo

Saturday, January 27, 2024 1 – 2 pm, Artist Talk: 1:00 pm

Come and meet artist Maria Arvayo on Saturday, January 27th when we will celebrate her exhibit Inspired by Texas Canyon: The Art of Maria Arvayo, on display through September 2024. She will give a talk at 1:00 pm.

Maria Arvayo is a painter and a member of the Pascua Yaqui Tribe living in Tucson, Arizona, where she works and teaches painting. She works in a wide variety of media including watercolor, pastel, acrylic, oil and encaustic.

In 2020 she completed an artist in residency at the Amerind. During this time, she hiked the grounds and did a number of plein air paintings. Inspired by the landscape of southern Arizona, in this exhibit she shares her appreciation for the beauty that is abundant in the land and sky of Texas Canyon. Many of the works in this exhibit are from her time spent at the Amerind. Some of the works in this exhibit are from her time spent at the Amerind and many pieces are available for purchase, although they must remain at the Amerind through September 2024. For more information contact the Museum Store.

We hope you will join us in celebrating this talented artist and the inspiration of the Texas Canyon Nature Preserve!

This event is included with your membership or regular Museum admission.